Tuesday, June 17, 2008

CLASSROOM LESSON: Reanimating Primary Source Documents through live-animation performance

Summary: Discovering original interpretations of primary source documents through a live-animation performance.

Objectives
The student will:

  • Select and analyze a primary source document

  • In this lesson students will use the staging techniques of visual art, object theater, drama, music, film, modeling and performance to present an original interpretation of a primary source document.

  • Write an original narrative based on evidence from a primary source document.
  • Use puppets, models, and story telling techniques to stage a narrative based on a primary source document.

Materials
Live-animation materials: dolls and other miniature items that can be used in a small scale theater production.
Projection devices: Here are some suggested ways students can present their live-animation performance to an audience.

  • Elmo projector

  • Camcorder and tripod (shoestring tip: an old VCR camera can be directly connected to a television or LCD projector and then be used to present the students "live action".

  • Overhead projector


Activity: What is a primary source?

1. Project or write the following definition:
Primary source - source created by people who actually saw or participated in an event and recorded that event or their reactions to it immediately after the event.

2. Discuss with students how our perception of history is shaped by primary documents.


Activity: An introduction to live-animation theater
Students watch the following video clip from The Great War created by members of the theater troupe Hotel Modern.

1. Pre-viewing questions

Before showing the video clip ask students to ask themselves the following questions:
What is the narrator reading in the background?
Where in the clip is the "suspension of disbelief" created? When is this suspension destroyed?

2. Show the video clip (http://www.youtube.com/watch?v=zRbe2GDjZRI)


3. After viewing the clip return to the pre-viewing questions and ask students to share their answers with their peers.


Activity: An interview with the members of Hotel Modern

In this activity students will watch video clips from an interview with the members of Hotel Modern.

In the first clip Herman Helle explains how he relies on the audience's imagination during the performance of The Great War. In the second clip members of the troupe explain how they conduct research when creating their performances. The third clip presents a discussion with the troupe on how they use the suspension of disbelief in their performances.



IMAGINATION

RESEARCH


THE SUSPENSION OF DISBELIEF


Activity: Creation and presentation of a live-animation performance based on a primary source document.

Task: Students plan, stage, and present a live-action performance based on the text in a primary source document. Divide students into groups of three or four.

1. Selection of a primary source document

Students identify primary source documents from either a list of documents preselected by the teacher or they use the Internet to make their own selection.

Tip: Letters and diaries work the best for creating a live-action performance.

2. Instruct students to plan, write, and stage a live-animation performance that illustrates the ideas and concepts presented in their primary source document.

3. Assign or allow members of each group to choose the following group roles: narrator, sound effects, actor #1, and actor #2.


Station #1: The Exposition

Each group of students uses maps, charts, and objects to present the setting, time, historical context, and main characters of the work.

Example: In their presentation of "The Great War" the theater troupe Hotel Modern used an Elmo projector to project a map of Europe onto the video screen. The troupe members maneuvered toy cannons and ships around the map to show the buildup of the military in European nations on the eve of the first world war. Troupe members also used cigars and handshakes to provide a more subjective comment on how these alliances between the European nations were created during the lead up to the first world war.

Station #2: Live-animation presentation illustration of the narrative.

Wednesday, June 11, 2008

DIY Professional Development with the theater troupe Hotel Modern: Imagination, research, and the suspension of disbelief.

The clips below are from an interview I conducted with the theater troupe Hotel Modern after their performance of The Great War at the 2008 Spoleto Festival. In the first clip Herman Helle explains how he relies on the audience's imagination during the performance of The Great War. In the second clip members of the troupe explain how they conduct research when creating their performances. The third clip presents a discussion with the troupe on how they use the suspension of disbelief in their performances. The final clip features scenes from Hotel Modern's performance of The Great War. All of these clips will be used in a unit that will be conducted this fall in my Language Arts classroom at the Academic Magnet High School.

IMAGINATION


RESEARCH


THE SUSPENSION OF DISBELIEF



SCENES FROM

THE GREAT WAR

Monday, June 2, 2008

Laurie Anderson's Homeland Prep Kit

Below are some of the sources I used to prepare for Anderson's performance of Homeland. Also visit the "Language Is A Virus" site created for my Honors European Literature students to use during their study of Anderson this year by clicking on the following banner:

Listen: A radio interview with Laurie Anderson
In this interview Anderson talks about Homeland, shares her opinions about how 9/11 influenced her as an artist, and her technological fantasy of long mechanical arms.
Click here to listen to the interview.

Read: An overview of the performance, HOMELAND

Homeland is a series of songs and stories that creates a poetic and political portrait of contemporary American culture. Conceived as one long piece of music, Homeland moves through many worlds- from Greek tragedy to American business models. The stories and songs that make up Homeland are marked by political urgency. They address the current climate of fear, obsession with information and security. They are also- as with all of Anderson's work- personal and utterly unique.

"Dead stars their light still trapped in time. The dark emotion that came

a great distance to reach me. The sky. The land. The sky. The land
"

The music, built on the foundation of groove electronics, will feature many of the new melodic forms Anderson has been developing on the violin and in her recent work with new electronic systems and Tuvan throat singers. Anderson is joined in Homeland by several musicians skilled in improvisation so each performance is unique

Sonically, Homeland is the most sophisticated Anderson production to date. The electronic contrals are all virtual and Homeland is a tour de force of spoken word, music and technology.

"
I walk accompanied by ghosts. My father with his diamond eyes.

His voice life size. He says: Follow me. Follow me.



Watch: Video Clip from Anderson's Homeland


Read The Reviews:
Read what the experts say about the show so you can debate their points after you see the show.
The Boston Globe
The City Paper (Charleston, SC)