Item #1: Facial Expressions, A Visual Reference for Artists by Mark Simon Paul Barritt (head of film and animation) said that they had used this book as a source for creating some of the dramatic faces that were seen in the play.

Item #2: I asked members of the troop how the medium of digitally projected images impacted their creative process. Suzanne Andrade stated that it is restrictive but that they like the discipline it requires them to implement as actors. She did report that the medium of the projected image also created moments of inspiration. An example of this occured when Esme Appleton decided to pretend she was sawing a moon. The members of the troop liked this idea and incorporated it into the performance by having Paul Barritt change the projected image so it looked like Esme's character was sawing the moon.
Item #3: Paul Barritt was asked about how he ages his films so they look like vintage films from the silent film era. He reported looks at old films and collects samples of the crackles in the film. "I can just watch crackle" all day long.
Item #4: Origin of the "sinster characters".
Suzanne Andrade was asked about where she found the inspiration for the two sinster characters in the play. She informed the audience that they were inspired by the creepy sisters in Kubrick's film, The Shining.

Item #5: Satirist Chris Morris One of the inspirations sited by the troop members was Chris Morris, a British satirist. They referred to one of his fake documentaries that dealt with the fictitious drug, Cake. The spoof inspired one government official to take up the dangers of this "drug" before the House of Commons. This might be a satirist I could refer to or use in my satire unit next year.